Under the direction of Emily Mann, Christopher Durang's "Turning Off the Morning News" is a dark and daring comedy that may simultaneously unnerve you and delight you.
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Under the direction of Emily Mann, Christopher Durang's "Turning Off the Morning News" is a dark and daring comedy that may simultaneously unnerve you and delight you.
Adapted for the stage by Emily Mann and Pierre Laville, Williams' 1950s film masterpiece "Baby Doll" is a riveting tale of commercial and erotic vengeance.
Passion. Few words convey such depth of meaning. And it is passion – for love, for power, for an immortal place in history – that’s at the heart of Shakespeare's "Antony & Cleopatra."
Fresh off a Tony victory for Best Play (“Vanya and Sonia and Masha and Spike,” which was commissioned by and premiered at the McCarter), artistic director Emily Mann has chosen to direct McCarter Theatre's 2013-14 season opener, “Proof” by David Auburn. Winner of the Pulitzer Prize for Drama and the Tony for Best Play in 2001, "Proof" is a mathematical mystery/father-daughter drama/love story that has a special meaning for Mann.
Susan Wallner talks to playwright, director, and artistic director Emily Mann. Mann is celebrating her 20th anniversary season at the Tony Award-winning McCarter Theatre with a restaging of "Having Our Say: The Delany Sisters' First 100 Years."